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Ready4

What is the area of the circle above with center O?

The area of $Δ O A B$ is 50.
The length of arc ACB is $15 π$ .

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Although the industrial union organizations that emerged under the banner of the Congress of Industrial Organizations (CIO) in the 1930s and 1940s embraced the principles of nondiscrimination and inclusion, the role of women within unions reflected the prevailing [hl:2]gender ideology[/hl:2] of the period. Elizabeth Faue's study of the labor movement in Minneapolis argues that women were marginalized by union bureaucratization and by the separation of unions from the community politics from which industrial unionism had emerged. Faue stresses the importance of women's contribution to the development of unions at the community level, contributions that made women's ultimate fate within the city's labor movement all the more poignant: as unions reached the peak of their strength in the 1940s, the community base that had made their success possible and to which women's contributions were so vital became increasingly irrelevant to unions' institutional life.In her study of CIO industrial unions from the 1930s to the 1970s, Nancy F. Gabin also acknowledges the pervasive male domination in the unions, but maintains that women workers were able to create a political space within some unions to advance their interests as women. Gabin shows that, despite the unions' tendency to marginalize women's issues, working women's demands were a constant undercurrent within the union, and she stresses the links between the unions' women activists and the wave of feminism that emerged in the 1960s.

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The ground within a circular garden and around the base of a circular statue exactly in its center, as shown in the figure above, is to be covered with gravel. If the base of the statue is 2 feet in diameter, how many square feet are to be covered with gravel?

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When the figure above is cut along the solid lines, folded along the dashed lines, and taped along the solid lines, the result is a model of a pyramid with a base that is a pentagon. What is the sum of the number of edges and the number of vertices of this pyramid?

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According to the chart shown, which of the following is closest to the median monthly sales, in dollars, at a local coffee shop over the time period from September to June, inclusive?

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A stairway is formed by stacking even blocks next to and on top of each other. If the stairway depicted above is 5 blocks in length and 4 blocks in height, with a thin step at the beginning that does not require a block, and the stairway is only 1 block in width, how many blocks will be required to build such a stairway 20 blocks in length?

Ready4

	City A	City B	City C	City D	City E	City F	City G
City A		x	x	x	x	x	x
City B			x	x	x	x	x
City C				x	x	x	x
CIty D					x	x	x
City E						x	x
City F							x
City G

Each "x" in the pricing table above represents an entry indicating the cost for flying roundtrip between a pair of seven cities. If the table were extended to represent the prices for flying between all pairs of 32 cities in an airline's schedule and each price were to be represented by only one entry, how many entries would the table then have?

The Seventh Symphony (1812) was, at the time, Beethoven's last and vibrant word on the big style he had cultivated in the previous decade. In the Eighth Symphony (1814) he does something new by seeming to return to something old. He writes, that is, a symphony shorter than any since his First. It is almost as though he wanted to call his entire development throughout that decade into question. Indeed, over the remaining years of his life he would confidently explore in opposite directions, writing bigger pieces than before and ones more compressed, his most rhetorical music and his most inward, his most public and his most esoteric, compositions that plumb the inexhaustible possibilities of the sonata style and those that propose utterly new ways of organizing material, music reaching extremes of the centered and the bizarre. If, however, we think of the Eighth as a nostalgic return to the good old days, we misunderstand it. To say it is 1795 revisited from the vantage point of 1812 is not right either. What interests Beethoven is not so much brevity for its own sake—and certainly not something called “classicism”—as concentration. It is as though he were picking up where he had left off in the densely saturated first movement of the Fifth Symphony to produce another tour de force of tight packing. He had already done something like this two years earlier in one of his most uncompromising works, the F-minor String Quartet, Op. 95. But a symphony is not a “private” connoisseur's music like a string quartet; by comparison, the Eighth Symphony is Opus 95's friendly, open-featured cousin, even though its first and last movements bring us some of the most violent moments in Beethoven.

Ready4

According to the chart shown, which of the following is closest to the difference between the mean and the median of the weekly book sales at C&M Bookstore for the 8 weeks indicated on the graph?

The Seventh Symphony (1812) was, at the time, Beethoven's last and vibrant word on the big style he had cultivated in the previous decade. In the Eighth Symphony (1814) he does something new by seeming to return to something old. He writes, that is, a symphony shorter than any since his First. It is almost as though he wanted to call his entire development throughout that decade into question. Indeed, over the remaining years of his life he would confidently explore in opposite directions, writing bigger pieces than before and ones more compressed, his most rhetorical music and his most inward, his most public and his most esoteric, compositions that plumb the inexhaustible possibilities of the sonata style and those that propose utterly new ways of organizing material, music reaching extremes of the centered and the bizarre. If, however, we think of the Eighth as a nostalgic return to the good old days, we misunderstand it. To say it is 1795 revisited from the vantage point of 1812 is not right either. What interests Beethoven is not so much brevity for its own sake—and certainly not something called “classicism”—as concentration. It is as though he were picking up where he had left off in the densely saturated first movement of the Fifth Symphony to produce another tour de force of tight packing. He had already done something like this two years earlier in one of his most uncompromising works, the F-minor String Quartet, Op. 95. But a symphony is not a “private” connoisseur's music like a string quartet; by comparison, the Eighth Symphony is Opus 95's friendly, open-featured cousin, even though its first and last movements bring us some of the most violent moments in Beethoven.

Ready4

In the figure above, find the value of $c - b$ .

Ready4

The figure above represents a circular mirror surrounded by a circular frame that is 4 inches wide. The total distance across the mirror, including the frame, is 28 inches. What is the area, in square inches, of the frame that surrounds the mirror?

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If $O$ is the center of the circle above, what fraction of the circular region is shaded?

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In the figure above, line segment $\overline{DE}$ has length $15$ , and rectangle $CDGH$ is a square. If the area of rectangular region $CEFH$ is $324$ , what is the area of rectangular region $DEFG$ ?

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In the figure shown, the triangle is inscribed in the semicircle. If the length of line segment $\overline{XY}$ is 5 and the length of line segment $\overline{YZ}$ is 12, then what is the length of arc $XYZ$ ?

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The rectangular quilt shown in the figure above has a border of uniform width. What is the area of the portion of the quilt that excludes the border?

(1) The width of the border on all sides is 4 inches.

(2) The perimeter of the entire quilt, including the border, is 220 inches. The length of the entire quilt is 20 inches longer than the width of the entire quilt.

Ready4

What is the value of $x+y$ in the figure above?